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“Why I Beat up Young Duu’s Manager” – Portable

In the latest chapter of the Nigerian music scene’s unfolding drama, the controversial artist Portable has offered an explanation for his physical altercation with Young Duu’s manager, Onlyone Kesh. 

The incident, which quickly went viral after being captured in a video at a Lagos bar, prompted Portable to address the public through an Instagram live session on Friday night.

Portable shed light on the roots of the conflict, asserting that Kesh’s alleged disrespect towards him at a prior event sparked the heated exchange. In the Instagram live session, the singer delved into the details, providing his side of the story.

According to Portable, the crux of the matter lies in Kesh’s inappropriate approach during their encounter, a moment that escalated into a physical altercation. 

Portable emphasized that Kesh’s choice of words and tone came across as disrespectful and triggered the conflict.

During the explanation, Portable revealed that Kesh addressed him using the term ‘oh boy,’ a colloquial expression often used among friends or peers. 

However, in this context, Portable interpreted it as a form of disrespect, implying a level of familiarity that he deemed inappropriate.

In the Instagram live session, Portable shared his perspective, asserting that he felt compelled to defend his honor and maintain a level of respect in the industry. 

The incident, while regrettable, has fueled discussions about the dynamics within the music industry and the importance of mutual respect among artists and their respective teams.

As news of the altercation circulated, fans and industry observers weighed in on social media, with opinions divided on who was at fault in the situation. 

Portable’s decision to address the issue directly provides insight into the complexities of interpersonal dynamics within the entertainment industry, where egos and personalities often collide.

While altercations between artists are not uncommon in the competitive world of showbiz, the public scrutiny and rapid dissemination of such incidents in the age of social media add an extra layer of intensity to these conflicts. 

Portable’s attempt to clarify the circumstances surrounding the altercation offers a glimpse into the challenges faced by artists navigating the delicate balance between personal pride and professional relationships.

As the Nigerian music scene continues to evolve, incidents like these shed light on the need for open communication, understanding, and conflict resolution within the industry. 

The aftermath of this altercation serves as a reminder of the responsibilities that come with fame and the impact that public perception can have on an artist’s career.

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