Renowned rapper Oladipupo Oladimeji, popularly known as Oladips, has stepped forward to address swirling rumors that he orchestrated a death hoax to promote his latest album, ‘Superhero Adugbo.’
The artist vehemently denied the allegations, asserting that the reports suggesting he faked his death are entirely false.
The controversy began when Oladips’ management, on November 15, 2023, released a statement via his Instagram page announcing the rapper’s purported demise on Tuesday, November 14, 2023.
This unexpected revelation sent shockwaves through the music industry and among his fan base.
Contrary to the somber announcement, conflicting messages emerged on social media, notably from associates like rapper Qdot, who insisted that Oladips was very much alive.
The situation escalated when Oladips himself presented video evidence to prove his well-being, fueling speculations that the entire episode was a strategic ploy to generate attention for his new project.
Taking to his Instagram story to address the controversy, Oladips directed blame at Qdot, accusing him of making public statements about his well-being “at a time my family was unsure of my situation.”
The rapper expressed his frustration, noting that Qdot’s actions created unnecessary confusion and presented a misleading narrative of their relationship.
In his statement, Oladips highlighted the lack of recent communication between him and Qdot, asserting, “Bro, I went through it, and anything could have happened. The last me and you had any conversation was January 2, 2022. I get proof and I will soon tell the story in full! Cos why una dey always do like this for this industry tori olorun?”
The rapper’s candid response raises questions about the dynamics of communication and transparency within the music industry.
As Oladips vows to unveil the full story behind the controversy, the incident sheds light on the challenges artists face in navigating the fine line between promotion, authenticity, and the potential consequences of misleading narratives in the era of rapid information dissemination.
In a landscape where perception often shapes reality, Oladips’ experience serves as a noteworthy chapter in the ongoing evolution of the music industry and its intricate relationship with social media dynamics.